‘ewrang

Na’vi looms, known as ’ewrang, are used for wea­ving items such as cloth, ham­mocks, mats, and han­ging deco­ra­ti­ons. Sizes and weights vary depen­ding on sca­le and type of project.

While other Na’vi clans on Pan­do­ra orga­ni­ze them­sel­ves around car­ving or pot­tery, the Oma­ti­ka­ya and the Ara­na­he are renow­ned for their bril­li­ant tex­ti­les. Thus, the loom plays a key role in their dai­ly lives.

The lar­gest of the Oma­ti­ka­ya looms, cal­led the sa’ewrang, or ‘mother loom’, is more mas­si­ve than a Ter­ran pipe organ. It is given a place of honor in the com­mon area of their Home­tree. The sa’ewrang is made of a frame­work of rope and wood sus­pen­ded from bran­ches of kelu­t­ral and secu­red to the ground by a simp­le woo­den crank sys­tem.

The Oma­ti­ka­ya use the phra­ses ‘bran­ches of the tree look to each other for strength’ and ‘many bran­ches tog­e­ther are strong’ to descri­be the sa’ewrang. Depen­ding on the type of tex­ti­le pro­du­ced, ‘Eywa’s wis­dom is reve­a­led to all of us’ can also descri­be the sa’ewrang. This evo­ca­ti­on of Eywa is a clear indi­ca­ti­on of the loom’s importance in Oma­ti­ka­ya cul­tu­re. lt is also a com­pel­ling descrip­ti­on of Eywa, who, in this con­text, is depic­ted as a kind of cos­mic wea­ver who brings the dis­pa­ra­te ele­ments of Pan­do­ra tog­e­ther into a har­mo­nious who­le.

The Ara­na­he—a clan renow­ned for their bright­ly colo­red and intri­ca­te silk textiles—also have a sa’ewrang in their Kelu­t­ral com­mons area.

The loom shut­tle is a hand tool used to hold the twi­ne in place during wea­ving. Ani­mal bones are clea­ned and allo­wed to dry. Twi­ne is wrap­ped around one end for grip­ping decoration.